Hellenistic Structures > Craterus ex Voto
Craterus ex Voto
Background
The "Craterus ex voto" refers to a notable ancient Greek dedication made by Craterus, a general and close companion of Alexander the Great. This dedication is significant in the context of ancient Greek art, military history, and the cultural practices of dedicating offerings to the gods. Here's an overview of Craterus' ex voto:
Historical Context
Craterus:
- Craterus was one of Alexander the Great’s most trusted generals and played a key role in many of Alexander’s campaigns.
- After Alexander’s death, Craterus was involved in the Wars of the Diadochi (the wars of Alexander's successors).
Dedication:
- The ex voto by Craterus was a votive offering, a gift made to the gods in gratitude or fulfillment of a vow.
- Such dedications were common in ancient Greece and often made to thank the gods for victories or other significant achievements.
Description of the Dedication
Philippeion in Olympia:
- The dedication was made in the Philippeion, a circular building in Olympia commissioned by Philip II of Macedon and completed by Alexander the Great.
- Olympia was a major religious center dedicated to Zeus and the site of the ancient Olympic Games.
Bronze Group:
- The offering by Craterus included a bronze sculptural group.
- According to historical sources, this group depicted a lion hunt, a popular motif in ancient Greek art that symbolized bravery and strength.
Artists:
- The sculptures were created by the renowned artists Lysippos and Leochares.
- Lysippos was one of the greatest sculptors of the late Classical period and the preferred sculptor of Alexander the Great.
- Leochares was also a prominent sculptor known for his works on the Mausoleum at Halicarnassus, one of the Seven Wonders of the Ancient World.
Significance
Artistic Value:
- The bronze group dedicated by Craterus was a masterpiece of Greek art, showcasing the skill and creativity of the period's leading artists.
- The involvement of Lysippos and Leochares highlighted the high artistic standards and the importance of the dedication.
Cultural and Religious Practices:
- Votive offerings like the Craterus ex voto were an integral part of Greek religious practice, reflecting the piety and gratitude of individuals towards the gods.
- Such offerings also served to commemorate significant events, such as military victories, and to enhance the prestige of the dedicator.
Historical Documentation:
- Ancient historians and writers, such as Pausanias, documented the dedication, providing valuable insights into the art and cultural practices of the time.
- Pausanias’ "Description of Greece" mentions the dedication, noting its presence in the Philippeion and its artistic merits.
Legacy
Historical Recognition:
- The Craterus ex voto is remembered as one of the significant examples of votive art from ancient Greece.
- It underscores the close relationship between art, religion, and politics in ancient Greek society.
Archaeological Interest:
- Although the original bronze group does not survive, references in historical texts continue to intrigue archaeologists and historians.
- The site of the Philippeion in Olympia remains an important archaeological and tourist site, where visitors can appreciate the historical context of such dedications.
Influence on Later Art:
- The themes and styles represented in dedications like the Craterus ex voto influenced later art and commemorative practices in both Greek and Roman cultures.
In summary, the Craterus ex voto is a significant historical and artistic dedication made by one of Alexander the Great’s key generals. It exemplifies the cultural and religious practices of ancient Greece and highlights the contributions of some of the greatest artists of the Classical period.
Sources
- Acra
- Alexandria Structures
- Antigonid Structures
- Antioch Structures
- Arcadian Gate At Messene
- Bam Citadel
- Belevi Mausoleum
- Caesareum Of Alexandria
- Canopic Way
- Cleopatras Palace At Alexandria
- Colossus Of Rhodes
- Craterus Ex Voto
- Delos Synagogue
- Dura Europos Church
- Edicts Of Ashoka
- Esaggila
- Etemenanki
- Ex Voto Of The Attalids
- Filippeios Krini
- Fortifications Of Demetrias
- Fortifications Of Derbent
- Fortress Of Acrocorinth
- Gates Of Alexander
- Great Library Of Antioch Destruction
- Great Library Of Antioch
- Great Pyramid Of Giza
- Gyaur Gala Fortress
- Hanging Gardens Of Babylon
- Heliodorus Pillar
- Hellenistic Arches
- Hellenistic Architecture
- Hellenistic Columns
- Hellenistic Hydraulic Structures
- Hellenistic Libraries
- Hellenistic Monuments
- Hellenistic Ornaments
- Hellenistic Temples
- Ishtar Gate
- Kapilikaya Rock Tomb
- Library Of Alexandria Destruction
- Library Of Alexandria
- Library Of Pergamon Destruction
- Library Of Pergamon
- Machicolations
- Mausoleum At Halicarnassus
- Monument Of Prusias II
- Monumental Gateway Of Antioch
- Necropolis Of Alexandria
- Oracle At Delphi
- Pergamon Altar
- Pergamon Structures
- Persian Royal Road
- Pharos Lighthouse At Alexandria
- Philippeioi
- Philippeion
- Ploutonion At Hierapolis
- Poliorcetics
- Priene Inscription
- Ptolemaic Baris
- Ptolemaic Structures
- Pyramid Of Hermel
- Royal Palace Of Antioch
- Royal Tombs At Vergina
- Sanctuary Of The Great Gods
- Sebasteion Of Aphrodisias
- Seleucid Structures
- Serapeum
- Seven Wonders Of The Ancient World
- Statue Of Zeus At Olympia
- Temple Of Apollo At Daphne
- Temple Of Apollo At Didyma
- Temple Of Artemis At Ephesus
- Temple Of Artemis At Sardis
- Temple Of Athena Polias At Priene
- Temple Of Dendera
- Temple Of Edfu
- Temple Of Kom Ombo
- Temple Of Melqart
- Temple Of The Nymphs
- Temple Of Zeus At Olympia
- Temple Of Zeus At Seleucia Pieria
- Theater Of Dion
- Theater Of Epidaurus
- Tomb Of Alexander The Great
- Tomb Of Cyrus The Great
- Tomb Of Juba II
- Tomb Of Midas
- Tomb Of Philip II
- Tombs Of The Kings Of Pontus
- Tumulus Of Kasta Hill
- Walls Of Alexander
- Walls Of Babylon
- Walls Of Messene