Structures > Belevi Mausoleum

Belevi Mausoleum

Background

The Belevi Mausoleum, also known as the Mausoleum at Belevi is a Hellenistic monument tomb located in Turkey. The monument was the burial place of the Seleucid Greek King Antiochus II Theos who reigned 261–246 BC.Contents [hide]1Location of Mausoleum2Dating3Architecture and decoration4See also5References6Sources7External linksLocation of MausoleumThe Belevi Mausoleum was a grandiose tomb. The name of the mausoleum derives from the modern village of Belevi where the monument is located and sits on an isolated hillside. The mausoleum is located 14 km northeast of Ephesus next to the modern highway from İzmir to Aydın in the eastern part of the Kaystros-valley close to the ancient estates of the Ephesian sanctuary of Artemisia; is 16 km or 10 miles northeast of Selçuk and is 29 km from Kuşadası. Latitude: 38.014624 N or 38°00´52.646399" N Longitude: 27.472097 E or 27°28´19.5492" EDatingThe Belevi Mausoleum is the second largest mausoleum in Anatolia after the Mausoleum of Halicarnassus which it resembles and it is also the second highest tomb house of ancient Anatolia. The influence of this tomb seems to have been widespread throughout the Hellenistic world directly or indirectly in the construction of other royal tombs. According to archaeological dating in ornaments and ceramics from the monument, the mausoleum was first erected around 301 BC-281 BC and has occasionally been dated earlier to 333 BC, based on the assumption that it was the tomb of the admiral Memnon of Rhodes, who in that year died in a naval encounter before Lesbos. Others who may have owned the tomb were the brothers of Memnon: Mentor of Rhodes (died 333 BC) or Menandros (died shortly after 318 BC).Based on archaeological evidence and dating, it was first erected as a royal tomb by Lysimachus. He was possibly inspired by the Mausoleum of Halicarnassus to build his mausoleum. Lysimachus was a Greek Macedonian King and one of the diadochus or successors of King Alexander the Great. The capital of Lysimachus’ Kingdom was Ephesus, but when he died in 281 BC, he was buried at Lysimachia. When Antiochus II died in July 246 his first wife and cousin Laodice I placed him in this mausoleum as his final resting place.Architecture and decorationThe Belevi Mausoleum has only been known through published articles and discussions on individual features of the monument since the 1930s. Earlier studies on the monument’s archaeology and architecture has been premature, however recently more work has been done towards the research and conservation of the monument. The natural materials and other materials used for the construction of the mausoleum were probably sourced locally. The marbles used for the construction of the monument were probably were mined in the region of Ephesus. Two-thousand five-hundred cubic metres of marble has been estimated were extracted for the building of the mausoleum.The foundation of the mausoleum was square; each side measuring some 29.65 m, suggesting a length of 100 feet of 0.2965 m. The mausoleum was two stories. On the ground level there were three steps supporting the base mouldings. Each plain socle was surmounted by torus, cavetto and Lesbian cyma. Ten courses of large neatly cut ashlars, 69–88 cm high, which constituted the facing of the podium, made for a total height of 11.37 m. A low architrave, 45 cm high, and a higher Doric frieze ran around the top of the podium. The south side had a deep recess that was cut into the rock core for the burial chamber, which was placed in the centre and sealed from outside. This was done in order to conceal what was in the monument and to protect the monument from tomb raiders. The chamber to which Antiochus II was buried in was a small vestibule with a rectangular back room for his body to be put in a barrel-vault. There was an unfinished false door on the north side of the structure. The top storey had 3 steps measuring 1.12 m high. The top slope served as a stylobate for a Corinthian Peristalsis, with eight columns on each side. The roof had flat marble tiles.The excavators of the tomb restored on each side. Around the edge of the roof, were groups of Lion-Griffins figures facing large stone vases. Pairs of horses were placed at the corners. Little has survived from the mausoleum’s roof. Antiochus II’s mausoleum may have been a step pyramid with a crowning finial on top. On the blocks of the outer architrave bore this Greek religious inscription:ΗΛΙΑΔΕΣ ΖΕΥΣ ΦΑΕΔΩΝ ΑΦΡΟΔΙΤΗHeliades Zeus Phaedon AphroditeThere could have been fragments of small-scale palm leaf capital with fluted Doric drum fragments. These parts could have decorated the scheme of the interior. The ceiling was embellished with large coffers. The coffers were painted intensively and adorn with panels on the ceiling. The panels facing north represented funeral games with the reliefs of the other sides dealt with a centauromachy. The burial chamber was the central part of the mausoleum. In it was a large unfinished sarcophagus with a reclining beardless male figure on top. The male figure was formerly crowned with a wreath and held a bowl in its right hand which formed together with standing statue of an oriental servant. The oriental servant characterized by his posture and clothes may have been a royal Persian servant or a page representing a banquet scene. Sculptures and architectural pieces found at the monument still bear remains of their painted finish. The frequent painting replaced carving on the architectural mouldings was a practice reminiscent of Macedonian architecture. The work of the mausoleum was never finished. If the monument was completed, it could have reached a height of about 35 m. When Lysimachus first erected the monument, the construction of his mausoleum had been interrupted because he died in battle. When Antiochus II died, Laodice I added in addition architectural and sculptural elements for the monument. In 244 BC, Ephesus and the surrounding region came under the rule of the Ptolemaic dynasty. The period that Laodice I spent on further work on her husband’s mausoleum was brief.The architectural dimensions and designs of the elaborate decorations have Greek and Persian elements. The high square podium with the pyramid on top is non-Greek. Persian influences are strong with some of the sculptural decorations such as the statue of the servant, the roof long-winged Lion-Griffin figures (symbols of the Persian Kings) and the vases. The Griffins and a centauromachy mean the battle between Centaur and Humans. This was a very common theme, which represents the victory of civilization over barbarism. The way the tomb chamber has been erected was Macedonian. Antiochus II was of Greek Macedonian and Persian descent.The life sized statues of the Lion-Griffin figures are on display at the museums at Izmir and Ephesus. The sarcophagus of Antiochus II is on display at the museum at Selçuk together with two Lions. Fragments of the coffers depicting funeral games and the centauromachy are on display at the museums at Selçuk and Izmir. The human figures, horses and large urns are on display at the museums at Selçuk and Izmir.See alsoGreek templeReferences^ Jump up to: a b c d Forum Archaeologiae - Zeitschrift für klassische Archäologie 45/XII/2007: Chemical Analysis of Inclusion Fluids – A new method to pinpoint the origin of white marbles, illustrated at the mausoleum at Belevi, p.2^ Jump up to: a b c d e Belevi Mausoleum at Livius.org^ Jump up to: a b Antiochus II Theos article at Livius.orgJump up ^ Ridgway, Prayers in stone: Greek architectural sculpture ca. 600-100 B.C.E., p.76^ Jump up to: a b Facaros,Turkey, p.255^ Jump up to: a b c d Webb, Hellenistic architectural sculpture: figural motifs in western Anatolia and the Aegean Islands, p.76^ Jump up to: a b c Kusadasi Guide – Historical Places Belevi Mausoleum^ Jump up to: a b c d Winter, Studies in Hellenistic architecture, p.83^ Jump up to: a b c d e Ridgway, Hellenistic sculpture: The styles of ca. 331-200 BC., p.187Jump up ^ Ridgway, Hellenistic sculpture: The styles of ca. 331-200 BC., p.30Jump up ^ Pausanias, 1.10.5Jump up ^ Appian, Syr. 64Jump up ^ Forum Archaeologiae - Zeitschrift für klassische Archäologie 45/XII/2007: Chemical Analysis of Inclusion Fluids – A new method to pinpoint the origin of white marbles, illustrated at the mausoleum at Belevi, p.7^ Jump up to: a b c d Winter, Studies in Hellenistic architecture, p.82Jump up ^ Forum Archaeologiae - Zeitschrift für klassische Archäologie 45/XII/2007: Chemical Analysis of Inclusion Fluids – A new method to pinpoint the origin of white marbles, illustrated at the mausoleum at Belevi, p.3SourcesBelevi Mausoleum at Livius.orgAntiochus II Theos article at Livius.orgKusadasi Guide – Historical Places Belevi MausoleumForum Archaeologiae - Zeitschrift für klassische Archäologie 45/XII/2007: Chemical Analysis of Inclusion Fluids – A new method to pinpoint the origin of white marbles, illustrated at the mausoleum at BeleviP.A. Webb, Hellenistic architectural sculpture: figural motifs in western Anatolia and the Aegean Islands, University of Wisconsin Press, 1996B.S. Ridway, Prayers in stone: Greek architectural sculpture ca. 600-100 B.C.E., University of California Press, 1999D. Facaros & M. Pauls, Turkey, New Holland Publishers, 2000B.S. Ridway, Hellenistic sculpture: The styles of ca. 331-200 B.C, University of Wisconsin Press, 2001F.E. Winter, Studies in Hellenistic architecture, University of Toronto Press, 2006External linksPhotos of Belevi Mausoleum at Livius.orgForum Archaeologiae - Zeitschrift für klassische Archäologie 45/XII/2007: Chemical Analysis of Inclusion Fluids – A new method to pinpoint the origin of white marbles, illustrated at the mausoleum at Belevi. Photos of the mausoleum and a scientific paper on the marble and ceramics of the mausoleum

Belevi Mausoleum

Background

Hellenistic Greece

Ptolemaic Structures

Seleucid Structures

Indo-Greek Structures

Babylonian Structures

Other

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